Monday, January 9, 2017

Joseph Mallord William Turner, The Slave Ship

Museum of Fine Arts, Boston

Date: 1840
Technique: Oil on canvas, 90.8 x 122.6 cm

The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying—Typhon coming on, is classic example of a Romantic maritime painting. Turner depicts a ship, visible in the background, sailing through a tumultuous sea of churning water and leaving scattered human forms floating in its wake.
He was inspired to paint The Slave Ship in 1840 after reading The History and Abolition of the Slave Trade by Thomas Clarkson. In 1781, the captain of the slave ship Zong had ordered 133 slaves to be thrown overboard so that insurance payments could be collected. This event probably inspired Turner to create his landscape and to choose to coincide its exhibition with a meeting of the British Anti-Slavery Society. Although slavery had been outlawed in the British Empire since 1833, Turner and many other abolitionists believed that slavery should be outlawed around the world. Turner thus exhibited his painting during the anti-slavery conference, intending for Prince Albert, who was speaking at the event, to see it and be moved to increase British anti-slavery efforts.

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